In his article “Death and Taxes in the Netflix series Marco Polo,” Ryan McMaken writes: “Also prominent within the series is taxation, and those who collect and count taxes are three-dimensional and largely sympathetic characters in Marco Polo. Meanwhile, those who actually generate the taxes—merchants like Marco’s father—are either self-serving or ‘simply nameless rabble’” (18). With the second season of the television series currently set to be released at the end of 2015, this might be a good time to consider the relationship between tax producers and tax consumers in the Mongol empire according to Marco Polo’s own late thirteenth-century … Continue reading

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