Rise of the Victim Conquerors
As Sweden crumbles under the weight of an unassimilable minority, as the Swedish foreign minister claims that her country is facing collapse due to a flood of refugees, my thoughts flash back to 1998, and a lengthy, contentious dinner I had with one of the preeminent progenitors of multiracial and multicultural Sweden: Fransesca Quartey. Fransesca is, and was already by 1998, a superstar in Sweden, one of that nation’s most popular actresses. She certainly stood out; her mother was a white Swedish native who, as a teen, had a child with a Ghanaian immigrant. Growing up in Gothenburg, there were not a lot of black/mixed-race Swedish stage, film, and TV stars, so when Quartey hit the big time, it was a big deal. Her ascent in the Swedish entertainment industry was fueled in part by a society that, ashamed as it is of its homogeneity, wanted to flaunt its nascent diversity.and throw in some meaningless motivational boilerplate to sugarcoat the reality that she had practically no chance of getting representation in this town when her only calling cards were brown skin and a résumé that read like the Swedish Chef’s recipe for kroppkakor.
Somewhere in between the appetizer and the main course, Quartey decided to go off on a tangent about her ultimate goal, the thing she was going to leverage her stardom to achieve. Now that she’d been “accepted” by the Swedes, her plan was to use her clout to transform the country into a multicultural mecca in which the old traditions and culture would be jettisoned for a new “afro-Sweden.” Quartey seemed genuinely hostile toward the native Swedes. “They think they run the place,” she exclaimed, “but look out! The immigrants are coming and so is a new Sweden. We’re gonna make that country unrecognizable.”
I knew if I said anything, I’d be in the doghouse with my girlfriend for at least a week, but I couldn’t resist. I asked a simple, one-word question: “Why?”
The post Rise of the Victim Conquerors appeared first on LewRockwell.
Leave a Reply